From the Aeolus 13 Umbra YouTube channel.
One of the most successful and
iconic commercials ever produced is the 1971 Coca-Cola Commercial, “I’d Like to
Teach the World to Sing.” On a hillside in Italy, Coca-Cola’s advertising
company McCann Erickson (now McCann) gathered hundreds of young people from
across the globe in their native dress to sing a song of togetherness and Coke.
Admittedly this was simple grasp for a larger market share of the carbonated
beverage market by what was then and still remains one of the largest
international companies. Nevertheless, there are times when the commercial
airspace can embody the zeitgeist of the era, capture a moment in time, and
elevate the audience spiritually and emotionally. This commercial achieves
that.
The commercial is probably
dismissed by its cynical detractors as treacly tripe, and there is a certain
saccharine sweetness about it. Between the love beads, Nehru jackets, and dashikis,
as well as representatives of each possible race, creed, and color, it looks
like every 60s/early 70’s stereotype exploded on screen. Yet, for those of us
alive today who remember when the commercial first aired, in the midst of an
unpopular war, civil strife, racism, and a president of dubious ethics (sound
familiar?), it uncomplicated a complicated world — at least for 60 seconds.
On Jan. 8, 1971, Bill Backer, the
McCann Erickson’s creative director for the Coca-Cola account, was stuck in an
Irish airport due to a fog delay in London. He was headed there to meet with Billy
Davis, the music director on the account, to discuss a new ad campaign for Coke
which would use music by songwriters Roger Cook and Roger Greenaway and have
the final product recorded by the then-popular group The New Seekers. The problem was that while they had the music,
they didn't yet have the message, but this layover would provide the
inspiration.
While waiting in the airport
café, Backer noticed that his fellow passengers, who at first were angry at the
delay, began to loosen up and chat and laugh while enjoying something to eat
and something to drink — Coke, in fact. According to a Jan. 1, 2012, article on
the Coca-Cola corporate website, Backer later recounted:
In that moment
[I] saw a bottle of Coke in a whole new light . . . [I] began to see a bottle of Coca-Cola as more
than a drink that refreshed a hundred million people a day in almost every
corner of the globe. So [I] began to see the familiar words, 'Let's have a
Coke,' as more than an invitation to pause for refreshment. They were actually
a subtle way of saying, 'Let's keep each other company for a little while.' And
[I] knew they were being said all over the world as [I] sat there in Ireland.
So that was the basic idea: to see Coke not as it was originally designed to be
— a liquid refresher — but as a tiny bit of commonality between all peoples, a
universally liked formula that would help to keep them company for a few
minutes.
There seems to be some confusion
over who came up with the key lyric of buying the world a home. Backer, in a
May 18, 2015, Slate article, noted he dashed down the key phrases, “I’ve got to
teach the world to sing. I’d like to buy the world a home and furnish it with
love.” Davis, however, also lays claim to those particular words. As reported
by Coca-Cola, Davis, while liking Backer's idea of buying the world a Coke, thought the concept could be expanded more and told
him, "Well, if I could do something for everybody in the world, it would
not be to buy them a Coke. . . . I'd buy everyone a home first and share with
them in peace and love." Whatever the origin, the lyrics came together
quickly. Cook and Greenaway partially completed the music in 1970 for another
campaign under the title "Mom, True Love, and Apple Pie." Adapted for Coca-Cola, it
highlights the connection between the product and a sense of nostalgia
embodied in the song's wistful longing for simpler times and "peace and love."
Frickin’ hippies, am I right?
Well, Backer loved the sentiment
and with the creative team they began to write the lyrics and adapt it to Cook’s
and Greenaway’s music. Over the course of the next few days, they finished the
song and not long afterwards the New
Seekers recorded it and it was released on Feb. 12, 1971.
Coke admits that their bottlers
were not particularly excited about the song, which is not surprising because
they were largely stodgy old businessmen, but Davis’ contacts in the radio
industry reported great excitement among their listeners and they suggested
that the jingle be released as a single.
In the meantime, work on the
iconic commercial began. At first, the commercial was to be filmed on a Dover
Cliffside with a few hundred British schoolchildren and 65 “principles” slated
for the lip synching duties. British weather, however, as Backer learned during
his layover in Ireland due to the London fog, proved problematic with several
days of rain. Consequently, the whole production was moved to Italy. Rather
than school children from one country, 500 young people from all over the world
were cast. The rain, however, proved as troublesome in Italy as it did in
England and the delay in shooting caused cost overruns from the $100,000
originally budgeted to $250,000 ($633,508.64 to $1,583,771.60 respectively in
2019 dollars). The commercial was first aired in the United States in July 1971
and the impact was immediate. The commercial and the song captured the spirit
of the times and connected with consumers on an almost spiritual level.
Production on the single was
moving forward, but The New Seekers
were reportedly too busy to record, so McCann Erickson turned it over to a
session group who dubbed themselves The
Hillside Singers to identify more closely with the TV commercial. Once their
version of the song was released, it hit the charts fast. Two weeks later,
Billy Davis persuaded The New Seekers’
to record their version of the song. Billboard
reports The New Seekers version of
the song peaked at number 7 on the
Billboard Hot 100 on Jan. 15, 1972. The same week, The Hillside Singers’ version hit its highest chart position at
number 13. Coca-Cola, in agreement with the songwriters and publishers, donated
the initial $80,000 in royalties to UNICEF ($506,806.91 in 2019 dollars).
In 2015, the finale of the AMC TV
series Mad Men brought the commercial
back into the public conscious, and deservedly so. Commercials are often
overlooked as the most ephemeral of film media, but as we can see in the 1971 Keep America Beautiful PSA, the 1971 Radio Free Europe PSA, and the 1966 CBS Seasons Greetings: Animation by R.O. Blechman,
all previously reviewed on Aeolus 13 Umbra, they can also raise the format from
a crass attempt for consumer dollars to communicate larger ideas of community
responsibility, democracy, kindness to animals, and, in this case, kindness to
our fellow human beings.
It’s a lesson we should always be
reminded of.
Sources: Billboard (May,
18, 2015), Coca-Colacompany.com (Jan 1, 2012), and Slate (May,
18, 2015).
____________________________________________________Two versions of the lyrics were recorded:
Commercial
Version
I'd like to buy the world a home
And furnish it with love
Grow apple trees and honey bees
And snow white turtle doves
(Chorus)
I'd like to teach the world to sing
In perfect harmony
I'd like to buy the world a Coke
And keep it company
That's the real thing
(Repeat Chorus)
(Chorus 2)
What the world wants today
Is the real thing
(Repeat Chorus 2)
|
Pop Song
Version
I'd like to build the world a home
And furnish it with love
Grow apple trees and honey bees
And snow white turtle doves
I'd like to teach the world to sing
In perfect harmony
I'd like to hold it in my arms
And keep it company
I'd like to see the world for once
All standing hand in hand
And hear them echo through the hills
For peace throughout the land
(4th Verse included in Hillside Singers Version)
Put your hand in my hand
Let's begin today
Put your hand in my hand
Help me find the way
(Repeat 2nd verse)
And furnish it with love
Grow apple trees and honey bees
And snow white turtle doves
I'd like to teach the world to sing
In perfect harmony
I'd like to buy the world a Coke
And keep it company
That's the real thing
What the world wants today
Is the real thing
|
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Wow! How I miss the 70's! Rare example of creativity and a human message mixing with advertising. Makes you think. . .
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