Saturday, August 31, 2024

Patterns of Power

by G. Jack Urso

A scene from Patterns (1956).
Patterns was Rod Serling’s first major teleplay, later adapted into a film production of the same name in 1956. It told a story of an older man in decline being pushed out of his long-time position in business by a younger man on the rise. An age-old story, it brings to mind the ancient Roman tombstone epitaph: “As you are now, I once was. As I am now, you will be.”

For 25 years and 8 months I was what my employers reported to the IRS a “Defense Analyst.” A catch-all and overly broad term, during my career I performed numerous duties including communications specialist, multimedia content provider, database sales, news reporter, website designer, and the job I did through all that time — weapon systems profiler. I worked for companies in news, publishing, competitive intelligence, and on an independent contract basis.

Back in late 1997, a friend of mine, an editor at a military database in Washington D.C., was complaining to me about one of his stringers, a senior freelancer about 60 or so. A friend of the publishers, he had probably started off in the field in the 1960s and his habits were still squarely set in the age of typewriters. For example, his habit of pressing the Return key at the end of every sentence created havoc with the HTML coding which read every Return keystroke as the end of a paragraph, not just the line. Consequently, my friend had to go through the old guy’s assignments line by line and remove each Return keystroke. It was a massive pain in the ass. I admit we had a bit of an ungenerous laugh at the guy’s expense. A couple young bucks mocking an old bull’s growing obsolescence. 

I was hired to replace him; however, as I would eventually learn, if you live long enough you become the punch line to your own joke.

Climbing Up the Ladder

Database product name for a company I worked for.
The company my editor friend noted above hired me for is a proprietary online military database located in the Washington D.C. area. The subscribers include governments, industries, libraries, militaries, news organizations, etc. My work mainly involved profiling weapon systems and tracking exports, transfers, and sales, but also sometimes preparing news abstracts as well as a nation’s order of battle — meaning what weapons it had, how many, how they were acquired, where they were located, and with which units. Small arms were generally considered beneath our concern. Rather, the focus was on large weapons systems such as aircraft, artillery, armored vehicles, and electronic intelligence and sensor systems.

It was not full-time work, but since I could do it at home on my own time it suited me just fine. For nearly 26 years, I had a steady monthly income. The amount varied over the years; however, a regular monthly paycheck is a nice benefit, but it was one with a steadily declining return. When I began in 1998, I was paid $900 for a month to update the profiles of 50 weapon systems, or $1,736.72 in 2024, or, in other terms, $18 per record or $34.73 in 2024. If I spent just one hour per record that would have been decent pay, but instead, it took me about 80 hours to finish 50 records, which reduced the hourly pay equivalent to fast-food wages.

The company would recruit other stringers over the years, political science majors, pre-law students, grad students, but the tedious, detail-oriented work, and low pay, would eventually move them all on. After two and a half decades, I was the last man standing, more out of stubbornness than talent, but in the end I was there. Frankly, it was the longest relationship in my life.

Rung-by-Rung

Another former project I worked on.

As my career in defense information grew, so too did my skills. I became proficient with website design, HTML coding, using software like Dreamweaver and Sound Forge to produce interactive maps and audio commentary. My work also expanded to other companies. I worked several years as a freelancer for one Israeli defense information company writing news abstracts and then moving on to sales, creating contact lists of hundreds, and I do mean hundreds, of generals, admirals, majors, lt. colonels, colonels, defense attaches, and military libraries. The following audio clip is a background sound collage for an Israeli defense information database I produced and gives a sample of my work during this time:


I occasionally did work for my editor friend from the Washington D.C. military database. After he left, he started his own company, through which I had such assignments as producing news abstracts and multimedia content for the US government’s former Open-Source Information Service (OSIS), producing such reports as The China-Taiwan Air Power Monitor, the PRC-ROC Conflict Chronology: 1945 to Present, and 
SAM Use in Current Terrorist Operations.

Image of the map for the China-Taiwan Air Power Monitor I prepared.
Other work over the years included designing a webpage for a behavioral modification company run by a former Russian general (at least that’s what he claimed), as well as audio commentaries for a defense media reporting website (see below).


Despite all of this, I should mention that I am a peace advocate and there's not one war in my lifetime that I have supported. Yet, while a peace advocate, I am pragmatic. I live in a world with nations led by psychopaths who do not share my sentiments. On the other hand, one thing I learned in nearly 26 years of reporting on the weapons of war is that wherever weapons go, war inevitably follows. While one may conjecture that a strong military deters others from attacking a nation, the truth is that human history is replete with examples of militarily strong nations going to war against each other. I explore this conundrum in another essay on Aeolus 13 Umbra, “If You Want Peace, Prepare for War”: The Logical Paradox.

Not-So-Secret Reports

Banner I created for a special report I prepared on shoulder-mounted missile systems.

I also did work in competitive intelligence (CI). On the surface, CI is just gathering information on what a company’s competitors are doing. Ostensibly, this is NOT corporate spying, according to the industry, but it sort of really is. One company I worked for created shell companies to provide cover for researchers to approach competitor companies for information which they would otherwise not share. The old pros quickly caught on to CI inquiries and shut me down. So, I shifted tactics and called at 4:30 PM on Friday afternoons before a holiday weekend. At that point, the only ones left in the office are interns, receptionists, and junior execs who were more easily fooled and I usually got the info I needed.

Special reports I prepared during this period of my career include:


Just a few years ago, I completed my last such project, this one involving a company producing Resilient Positioning, Navigation and Timing (PNT) solutions and secure radar and GPS. These are systems that ensure accurate navigation and protect aircraft and ships from electronic attacks. The executive heading the effort was generally an absent leader and when he was around he was a fatuous ignoramus. It reminded me of the empty suits I worked with in public relations and why I left it. I was getting too old to have the patience for this shit. 

Old Man Out

It was always a side-gig, but I began to shift more of my work to teaching college composition courses as I realized my defense information career, such as it was, was drawing to a conclusion. Through all this time, I continued to profile weapon systems for the company that first hired me back in 1998. Yet, desktop publishing technology had changed over time. When I first started, the company required the records be prepared with the extensive use of HTML tags and all hyperlinks had to be formatted manually in a very specific way. Each assignment typically had thousands of HTML tags and hundreds of hyperlinks. Very little of my time was actually involved in researching and writing. Since I was the only stringer to endure the tedium so long, I became something of an institutional relic. 

As the decades rolled by, the need for HTML tags and special hyperlink formatting was no longer needed, not that anyone would tell me. I would continue on with now-meaningless editorial tasks, sometimes for years, until I would find out by some accidental revelation they were no longer needed. 

Nevertheless, how I did things had become engrained in me and it was difficult to make the change when I did find out. So, I kept turning in assignments as I always had, HTML tags and all, which, as the old man caused my editor friend at the beginning of this journey, was just creating more work for the database editor. Eventually, I made the change as the evolution of the software eliminated about half the total time I spent working on an assignment. 

Notably, this entire time, the new database editor said nothing to me. I was actually hoping he would and probably dragged it out longer than I should have just to see if I would get a reaction. I didnt. Over twenty years younger than me, I could only surmise he was hesitant to disrespect the old man.

And thats what I was. I became the old man.

Banner I created for the OSIS Pakistan OSINT page in the wake of 9/11. Posted Oct. 10, 2001.
In the final few years I was there, acquisitions, mergers, and partnerships with other defense information companies brought with them real defense experts with journalism degrees and military experience  not a peacenik slumming around an old beat. My pay hadn't changed in nearly 26 years, and taking into account inflation, I was earning a lot less than I was when I started. With each change of editors, my workload, in addition to my pay, gradually diminished until they simply had no more use for me.

Last year, as I got the old heave-ho, I thought about that old man whose obsolescence my editor friend and I laughed at. I was 58 and a just a couple years younger than the old man was when he became the object of our derision. Rod Serling’s Patterns haunts me now as a ghostly reminder of my own hubris and the whole experience brings me back to that old Roman epitaph, “As you are now, I once was. As I am now, you will be.”

As I learned, if you live long enough, you become the punch line to your own joke — just be careful not to choke on it.

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Friday, August 9, 2024

Up, Up, and Away (1974-1975), WAST, Channel 13, Children's Show

by G. Jack Urso

Mac, Bob, and Rosco the Clown, hosts on Up, Up, and Away (credit: Bob Carroll).

“The World's a Nicer Place in My Beautiful Balloon”

This year is the 50th anniversary of a fondly remembered TV show from my childhood. In 1974, WAST (now WNYT), Channel 13, Albany NY, premiered a short-lived children’s show, Up, Up, and Away, it featured three performers, Rosco (Steve Roz), a clown; Mac (Mark Macken), who played guitar; and Bob Carroll, who performed magic and ventriloquism. Opening up with The Fifth Dimension’s hit, “Up, Up, and Away,” the show was as gentle as its theme song. It was a quiet spot for young children in a world that seemed increasingly confusing and chaotic in the early 1970s. 

Live-action children's shows like these used to be a staple with local TV stations during the Golden Age of Television, but by the mid-1970s, just before the dominance of cable television, those days were gone. As best as can be determined, Up, Up, and Away appears to have been the last locally produced children's entertainment show in New York's Capitol Region.

The 5th Dimension perform “Up, Up, and Away” on the Aeolus 13 Umbra YouTube channel.

Rosco, Mac, and Bob were performers from Gaslight Village, in Lake George N.Y. A 1890s-era theme park designed by the legendary, and later Disneyland designer, Arto Monoco, and constructed by the equally legendary theme park entrepreneur Charles Wood. Gaslight Village was a more gentle experience than the large high-energy amusement parks today. Featuring vaudeville shows, clowns, Keystone Cops, silent movies, a movie car collection (including the car from Chitty Chitty Bang Bang), and some generally tame rides, Gaslight Village was a fairly mild amusement park experience. My other favorite childhood destination, Fort William Henry, was located directly right next door. With Lake George only about an hour away from where I lived, between school field trips, scouting excursions, and dragging my dad, I enjoyed many a visit in my youth.

Nov. 9, 1974 TV listing from the Albany Times Union.
According to one advertisement, the show premiered Sat., Nov. 9, 1974, at 7:30 p.m. Bob Carroll, in response to one of my questions also remembers a slot on Fridays at 4:30 p.m. as a running time as well. That also fits in with my memory as I remember watching it after school. A look at the Albany Times Union microfilm record reveals a 4:00 p.m. Friday start time (see image below) though it is possible the show got shifted to a later start time during the course of its run.

From the Albany Times Union, Feb. 3-7, 1975, TV listings.
In a Facebook post, Bob Carroll noted that he, Rosco, and Mac, each received $30 per show ($191.18 in 2024 dollars) and that the show was sponsored by Sears.

These types of locally-produced children’s shows were a staple of television stations beginning in the 1950s. The other one that comes to mind from this era is The Magic Garden (1972-1984) on WPIX, Channel 11, NYC, with Carole Demas and Paula Janis. These shows were low budget productions driven by the hosts’ personalities and talents. Nothing overly stimulating took place. With gentle humor and low-key laughs, these were just peaceful diversions for children, not the high energy advertising platforms more common today.

“It Wears a Nicer Face in my Beautiful Balloon”

Frankly, it was just what I needed as a kid. The years leading up to 1974 were confusing for any child. I was still 9-years-old at the time of show’s premiere and the previous two years were confusing, to say the least. Several incidents stood out to me at the time and affected me deeply.

Credit: Bob Carroll.
First, the infamous Pulitzer Prize winning photo of Phan Thị Kim Phúc in 1972. My brother paid me 25 cents to help him deliver newspapers and sometime shortly after the photo was taken on June 8, 1972, it appeared on the front page of the local Knickerbocker News. Phan was naked and covered in burns, running away from a South Vietnamese napalm attack on her village — napalm provided courtesy of U.S. taxpayers. It was the first time I ever saw anyone naked, let alone a 9-year-old girl burned and running for her life. We were nearly the same age. I was absolutely terrified.

Then, there was the massacre at the 1972 Munich Olympics when members of the Pro-Palestinian terrorist group Black September attacked and murdered 11 Israeli athletes. American swimmer Mark Spitz, in the middle of a seven gold medal run, is Jewish. I had to wonder if he would be next.

Then, in 1973, there was the U.S. withdrawal from Vietnam, which, although touted as “Peace with honor,” sounded suspiciously like we lost the war, and the United States never loses a war, right? 

Then, also in 1973, came the Watergate Hearings and President Nixon resigning. I thought the president was supposed to be the most trusted man in America. What was going on?

Finally, the Patty Hearst kidnapping in 1974. As the local Albany newspapers were Hearst-owned publications, it got a prominent coverage. It was getting hard to keep up. My 8- and 9-year-old brain couldn’t process all the tragedy, not to mention the complication of my own family’s dysfunction.

All of the world's problems got played out not just in the news but also recycled in popular media on sitcoms of the time like All in the Family and M*A*S*H. Heck, even comic books were not safe. In 1971 Green Arrow’s sidekick Speedy developed a heroin addiction and in 1973 Spider-Man’s girlfriend Gwen Stacy died while he was fighting the Green Goblin.

It was almost enough to make me want to read Richie Rich

Is it any wonder why a 9-year-old me found Up, Up, and Away to be a peaceful place of escape amidst all the turmoil I knew would be waiting me when I grew up?

“Way Up in the Air in My Beautiful Balloon”

Bob Carroll at his magic shop In Albany, early 1970s (credit: Bob Carroll).

Then, in late 1974, came Up, Up, and Away. Harmless, and probably boring for teenagers, the show was a sort of Zen-like break from reality for me. A budding ventriloquist and magician myself, I watched Bob closely for tips, but despite my Charlie McCarthy doll and magic kits, I was never very good at either. I bought my share of tricks off ads on TV commercials (like the Marshall Brodien TV Magic Kit) and from the back pages of comic books, such as the ventriloquist’s mouth aide, a small piece of metal you were supposed to slip under your tongue. It never worked, and I was afraid of swallowing it, so it got little use.

At the time of the show, I was also a frequent customer of the House of Magic at the now long-gone Northway Mall in Colonie, NY. One showpiece trick at the store was the guillotine. They would dare customers to put their heads in it. No matter how many times I saw them use it, and understanding it was a trick, I could never convince myself to stick my head in it.

Marshall Brodien TV Magic Kit.
In the intervening years, I often thought of that magic store and wondered what happened to it. As it turns out, Bob Carroll himself worked there! He later opened up MCM Magic a little further down from Northway Mall near Redwood Lanes in Colonie, just a half mile from where I live today. All these years of me wondering what happened to two fondly-remembered things from my childhood — Up, Up, and Away, and the House of Magic at Northway Mall — and it turns out both were connected.

The House of Magic listing in the 1973 Albany, NY, phone directory.
According to Carroll, Up, Up, and Away, came to an end about ten months later when Mac decided to move to New York City. Steve Roz continued on as Rosco for Gaslight Village and elsewhere, as did Bob Carroll, who continues to post online his memories of Gaslight Village, Charles Wood, and others from that era. Indeed, it was in looking up old photos of Gaslight Village in a bit of nostalgia when I discovered the theme park, the magic store, and Up, Up, and Away, were all related.

“We'll Chase Your Dream Across the Sky for We Can Fly”

Promotional advertisement (credit: Bob Carroll).
I spoke to a few others my age who recall the show but remember little else except for the opening theme, the hosts, and the channel it played on. Anyone younger than their mid-50s would not remember the show. Given it was a local show, short-lived, and the passage of fifty years, I doubt that more than a few thousand people alive today probably even recall it.

However boring and inane they might seem to grownups, there is a value to these types of innocent children's shows, whether it is Up, Up, and Away, The Magic Garden, Barney & Friends, or Teletubbies. Children are more observant than we give them credit for. They know how confusing and scary the world they’re going to inherit from us is going to be. Is it too much for us to give them a safe place for a few years?

Gaslight Village poster.
Gaslight Village closed down in 1989 and Rosco the Clown was there to the end. Times had changed. The small locally owned upstate tourist-trap theme parks that opened up in the immediate post-war Baby Boom era of the 1940s and 1950s had by the 1980s begun to give way to large nationally owned amusement parks. Restricted by its plot of land located inside the village of Lake George itself, Gaslight Village could not grow. Combined with changing demographics and consumer tastes, higher ticket prices, and fewer customers, Gaslight Village, like Frontier Town and other local theme parks, closed down. The other local Charles Wood-owned theme park Storytown USA, also originally designed in part by Arto Monaco, survived — now known as Six Flags Great Escape.

As is the great tragedy for locally produced shows from the pre-home VCR era, footage from shows like Up, Up, and Away is probably lost unless the station saved a copy, which is unlikely. The tape format used in 1974 would have been 2-inch reel-to-reel tapes which take up a lot of storage room. It is unlikely the station would have any 2-in VTRs available to play the tapes even if any had survived.

Nevertheless, it is important to preserve those unrecorded memories of our youth in some form, even the most fleeting and ephemeral like a short-lived children’s show, a magic store, or a long-gone, old fashioned, theme park, elsewise when the last person to remember it disappears so too will the show itself, like a puff of magician’s smoke, and float . . . Up, Up, and Away.
 
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