by G. Jack Urso
 |
| Dr. Tom Cottle on Hot Hero Sandwich. |
The Doctor Is In
I tracked down
Dr. Tom Cottle and dashed off an email to his account as professor emeritus at
Boston University. As a longtime adjunct faculty member of several colleges
myself, I knew that it was hit or miss whether an email to a now-retired
professor would ever get read. Other emails I sent off in regards to the Hot
Hero Project have gone unanswered and given that Dr. Cottle had long since retired, and this was a cold-call email, I doubted I would get a response.
About ten minutes later I hear an email
notification. It’s Dr. Cottle and he agreed — the doctor is in!
Tom and I had a
long, detailed conversation on the beginnings of his involvement with Bruce and
Carole Hart, negotiations with the networks, and interviewing the celebrities,
including what happened with the Robert Blake interview that never aired. Along
the way we learn more about the fine art of interviewing and a deeper
appreciation for some of our favorite Hot Hero celebrities.
To give an example how Dr. Cottle's interviews were used in the show, posted throughout the article are all the interview clips from Episode 5.
Hart to Hart
Discussing growing up, with Kareem Abdul-Jabbar, Pam Dawber,
Robert Guillaume, and
Michael Learned.
Ae13U: How did you meet Bruce and Carole Hart?
Dr. Tom Cottle: I know that I met Carole [Hart] when she came to Boston. She had heard that I had been riding the buses
with the children in the school integration project here in Boston. And there
were there were, you know, people taking all sides and a couple of us, a bunch
of us actually got on the buses with the kids and protected them . . . we put
them on the floor and then them no one would get a stone through the window . .
.
[Dr. Cottle is referring to the Boston School Desegregation Busing Protests of the early-mid 1970s.]
So, we walk in one day to a sea of blue denim . . . Carole and her crew were doing
either an audio tape or I think a film strip about busing, and they wanted to
talk to me. And she did the interviews at that point, and it was in my study
here in the house where I'm talking right now. And I was really knocked out by
this woman because she was so damn smart.
And if I had
listed the questions that I would have asked me, she asked them, so it was
terrific. And that was that.
And then I was
in England for a couple of years and when I came back . . . I got a message
that that somebody called and I had no idea who this person was. My mother or my
wife gave me the message and it was all screwed up. It said, “You got a call
from Carole Bruce.”
I had not met
Bruce, but I eventually did decide to call her and what she was starting to
tell me was that we want to talk to you about this project that we're doing and
I I thought, “Oh my God, that's fabulous! Of course I'll do it.”
Ae13U: That’s some very interesting
background about the school integration project. I was young, but just old
enough to remember it.
Dr. Tom Cottle: There were a lot of
important connections to that I made from that. Actually one was with the great
journalist Tony Lukas, Anthony Lucas of the [New York] Times, who
wrote a Pulitzer Prize winning book [Common
Ground: A Turbulent Decade in the Lives of Three American Families, 1975,
about the Boston school integration project. It was Lucas’ second Pulitzer
Prize].
I too wrote a
book on that project, but you know it hardly sold 17 copies [laughter], but
Tony became a wonderful friend. Tragically, he took his life years later as the
man that lived with terrible depression, but a brilliant, brilliant guy. He did
a wonderful book.
But, that’s how
I met Carole.
Ae13U: Where you living on the West Coast at the time
of recording or did they have you go out there for the filming?
Dr. Tom Cottle: There was a meeting in
New York and that's when I met Bruce and two nicer people [Brice and Carole]
never existed and brilliant. You know about Bruce and how his role in and
Sesame Street . . . he created . . . Oscar the Grouch [along with Jim Henson and
Jon Stone] and whatever Oscar the Grouch was is exactly what Bruce was not.
They were just fabulous, fabulous people.
Ae13U: Several months on the West Coast . . . it was an exciting opportunity, but a long
time away from your family. Any concerns?
Dr. Tom Cottle: I remember coming back from that meeting and
getting all settled with the idea that I was going to be traveling to
California to do that work . . . maybe they [Bruce and Carole Hart] lived in
Central Park West . . . and I came out of that building and I saw a man walking
out of Central Park with his kid and they were obviously engaged in a very
loving conversation. And I said, “I'm making a mistake. I shouldn't be doing
this. I shouldn't be taking myself away from the family.”
But I went ahead and did it, and
fortunately some of the trips there my wife and my kids joined me.
Interview
Logistics
On fathers, with Kareem Abdul-Jabbar, Pam Dawber
and Michael Learned.
Ae13U:
Was the filming in Los Angeles or elsewhere?
Dr. Tom Cottle: The first trip was to
LA. NBC made all these fabulous arrangements. I thought I was King of the World
with all the travel arrangements . . . and I'm in the hotel, I think in
Universal City, and there was an earthquake, a minor earthquake that night and
I said, “Oh my God, this is God's doing. You should not be doing this!”
[laughter] And fast forward about two hours I'm with Carole and Bruce in the car
and we're in the home of Leonard Nimoy.
Ae13U: I am so trying not to be the massive
the Star Trek geek that I am right
now. . .
Dr. Tom Cottle: This was the first
night. There was a damn earthquake and I've never been in LA. I had no idea
where the hell we were going [laughter]. I think they lived in Brentwood [Nimoy
and his then wife Sandi] but I'm not really sure, and I met Leonard and his and
his wife at the time. I think eventually the got a divorce [in 1987]. It was
wonderful meeting him and he told extraordinary stories.
So, then then we
interviewed a bunch of people in LA, but I think the very first interviews we
did were . . . south of Soho, the beautiful flat that they had rented, and
because I think that Kareem Abdul Jabbar was one of the very first ones.
And I was with
my kids, and our littlest one Sonya, she went up to Kareem Abdul Jabbar and he
was so tall, she came up to his knee . . . It was a marvelous moment.
Ae13U: So, a flat was used in New York and
a home in LA. Was a studio every used?
Dr. Tom Cottle: We never interviewed
anybody in the studio. They rented a house in Toluca Lake [In California] the
first trip to do a batch of people . . . they brought in one celebrity in the
morning and one celebrity in the afternoon.
Ae13U: When were the interviews done? The
series itself was filmed in the Summer of 1979, so I’m guessing the interviews
were done in the Spring of 79. Does that sound right?
Dr. Tom Cottle: Yeah, I think that I
think that would make sense because the weather was beautiful in New York I
remember. The efforts that they made to get people where “this person there and
that person there,” Loretta Lynn, was in Reno, NV, appearing and after that
interview I just love that woman. Oh yeah, that was that was a good interview.
You know . . . I’m thinking, “We got to
make a special trip . . . to fly to Reno
for Loretta Lynn?” But after that interview I just loved that woman.
Ae13U: Really? How so?
Dr. Tom Cottle: Well, for example,
Loretta Lynn, before we started talking, before we did the interview — and you
want to talk about an extraordinary wonderful woman — she said “Can I talk to
you for a second?” And she took me aside.
This is the
great Loretta Lynn who had to go down the back elevator, obviously because
people would just throng her, she said to me, ”Could I ask a favor of you?” And
I just knew she was going to ask me not to ask any questions about her husband
or her family [which are typical celebrity interview requests] and she said, “Please
don't use any big words that I might not know the meaning of.”
My heart broke.
My heart, my heart just broke. And she was, you know, it was a phenomenal,
phenomenal interview. Margaret Kaplan said the secret of a great interview is to
have a fabulous person to talk with, and when you have a fabulous person like
Loretta Lynn, anyone can interview her.
And then Chris
Reeve [Superman] was in Mackinac
Island at that fabulous hotel where he was filming with Jane Seymour [Somewhere in Time, released 1980], and
we went all the way from Los Angeles. through Chicago, through Detroit, three
puddle jumpers with me “loving to fly” [laughter] and finally to Mackinac
Island and and we filmed him, not in that hotel where they were filming, but in
some other little place . . . and it was about 175 degrees outside. It was
awful.
Ae13U: And here I am thinking you were in
some air conditioned studio in LA.
Dr. Tom Cottle: Never, never. Always
renting people's homes or flats. I remember Marlo Thomas was interviewed downtown
near Wall Street someplace, in a different flat than where Kareem was
[interviewed].
In
Conversation with . . .
On racism, with Kareem Abdul-Jabbar and Robert
Guillaume.
Ae13U: That story about Loretta Lynn was
incredibly touching. Are there any off-camera stories of the interview you can
share?
Dr. Tom Cottle: I remember the one
morning it was Ron Howard and he said who I was going to interview in the
afternoon, and I said Henry Fonda and he [Howard] said, “Oh, my God, he's
wonderful.” [Howard co-starred as Fonda’s son in the TV series The Smith Family, 1971-1972]
I said, “Well,
what do you call him?” He [Howard] said, “You call him Hank.”
[I’m thinking]
“You call Henry Fonda, Hank?”
So, in walks
Henry Fonda and he says, “Hello Tom,” and I say “Hi Ha . . . Henry Fonda!”
[laughing].
Everybody called him Hank, but I'm not going to call him
Hank!
Ae13U: Did the Harts give you prompts for
specific questions to ask the celebrities?
Dr. Tom Cottle: Oh, sure . . . There was an interview
with McLean Stevenson and I remembered that they [Bruce and Carole Hart]
probably said, “Can you get some nicknames and see what these people were
called because we're trying to get into bulling [as a show topic]. “Did they
call you names that upset you?” That sort of thing.
They [the Harts]
might say to ask about their first sexual experience and I asked Robert Guillaume
[Soap, Benson] about that.
The celebrities
were really open and fabulous because they had never been interviewed this way
before. They’re always getting questions about pushing their films, their
wives, and that question women get asked all the time, “How do you balance your
kids and your career?” I’ll never ask that question.
I used to joke
around with Carole that I would never ask that that question because the answer
is “Nannies!” [laughter]
The big issues
were “Can you ask the women about when they were girls and had first menstrual
periods and the guys about masturbation,” and stuff like that. But a lot of it
was just let's see who they are, and a lot of family issues.
There’s the
story of story of LaVar Burton, for example, being abandoned by his father [HHS Episode 10] and then he comes back
and he really wants to be of contact with him when he’s become the, you know,
America's most famous face [following Roots
in 1977].
Dr. Tom Cottle in a caricature by staff writer
Sherry Coben, summer 1979.
Ae13U: I think those kinds of stories
really connected with fans because it showed the celebrities dealt with similar
issues as a child. LaVar was 22 at the time of broadcast. Another guest, Jimmy
McNichol, was 19. I'm wondering if the discussion ever came up to include minor
age celebrities among the interview subjects.
Dr. Tom Cottle: I don’t recall there
ever being a discussion about doing it or what are the pros and cons. I really
had no say in that. They asked me all the time about what I was thinking. I didn’t
have any say over who they picked for a very simple reason — I didn’t know a
lot of these celebrities. I had no idea who a lot of them were. I didn’t watch
these shows!
As far as asking
kids [child celebrities] it just didn’t come up.
Ae13U: What happened with the interview
with Robert Blake that never aired? I understand he was upset discussing his
childhood. Did he shut down interview and walk out?
Dr. Tom Cottle: I don’t remember that. The interview with Robert Blake was
horrifically painful. It was awful. What he was talking about was awful. . . .
He talked about a father that beat the crap out of him, again and again and
again. . . . He was the kind of the father that came home after being away for
a week and his wife would say, Robert did this and he would go in there and whack
him. There was some stuff that he was sexually abused.
One of the most
painful scenes was being in a movie with John Garfield, whose real name was
Jack Garfinkel, and it was a scene where he [Blake] had to cry and he couldn't
cry. And, as he told the story, Garfield threw everybody out of the studio and
talk to him about why he had to cry and Garfield said, “Just think about
something in your own experience which made you cry,” and he [Blake] . . . he
started to cry. We made the connection that he knew that if he ever started
crying, he'd never stopped crying over all the things. This poor guy had
everything in his experience.
Ae13U: Were there any discussions are
continuing the interviews for a second season, and would you would you have
done so if asked?
Dr. Tom Cottle: If Bruce and Carole Hart
told me jump off the Brooklyn Bridge and stay under water for an hour and half.
I would say, “Crazy idea, but if they want it I’ll do it!” [laughter] They were
that impressive.
Tough
Negotiators
Feeling unique, with Kareem Abdul- Jabbar and Pam Dawber.
Ae13U: Trying to get the show on the air
must have been a tough sell to NBC. Did Bruce and Carole ever discuss any of
that with you?
Dr. Tom Cottle: I can give you two stories about Bruce
Hart which tell you what kind of a guy he was. When they finally started to air
sections of these shows to the NBC suits and the lights came up after this,
this viewing and they used a lot of the interview stuff because that's the
powerhouse stuff in which they were they were hoping to get the adults to watch
with them [the children].
And one of the suits
said, “Don't you think that a lot of this stuff is over the heads of these
children?” Which is that typical patronizing, underestimating [of children] like
we're having now, like “You’re going to upset kids if they read Anne Frank.”
And Bruce said, “Yeah,
it may.” The suits said, “Well, how are you going to deal with this?”
And Bruce Hart
said right to these NBC guys that are paying his salary and underwriting the
show, “Well, we’ll just have the kids stand up and then it won't be over their
heads.”
“It was fabulous.
In retrospect, we talked about the fact that NBC put them in a position where
NBC wasn’t going to be ambivalent about them. They didn't grovel. They knew
that their interests were the well-being of kids, which is on Free to be You and Me, and their work on
Sesame Street etc., etc., they weren’t
going to grovel.
So, another
occasion soon after . . . maybe walking home from that very event, it could
well been . . . Bruce and I are walking down 5th Avenue, and we’re practically at
the spot where that Big Apple Store is now on 5th Avenue, and I said to him, “When
would you find . . . the ideal time to air the show?” It seems to be too
sophisticated for Saturday mornings. It's no Saturday morning cartoon show. You
got some of the sophistication of an SNL.
He [Bruce Hart] said, “Oh, the
ideal time would be Sunday night.”
I said, “Yeah, fabulous. Sunday nights
at 7:00 o'clock. Now, you're going up against 60 Minutes. You're going to go up against that! And this is what
Bruce Hart said, and this is almost verbatim. “If I die, I want to die in the main
arena.” They [Bruce and Carole] would never sell out.
Ae13U: Tell me a little about Carole Hart.
Dr. Tom Cottle: Carole was a tough
negotiator. She was a softy, a loving person, a caring person, but she was a
business person. She was the best that people could be. Bruce and I couldn't do
that. But Carole, Carole had no qualms. She was fabulous at this.
But . . . they
ran into a snag because [President] Jimmy Carter banned the United States from
competing in the Olympics [1980]. That meant that NBC lost a cash cow big time
so they were in a financial shape and not feeling particularly great. There was
a tough negotiation [at the time] with a company in California that was doing
all the visual stuff, stuff that was rare then in TV, it's now done probably
every control room in America. For example, you see a face of Henry Fonda, the
face blows up and when the pieces come back together its Jane Fonda or
something. Now, it's nothing kids can’t do, but then . . . I think there was only one house in Los
Angeles and with a strike looming there was a real feeling they had to be a
little careful, coupled with the fact that these two people . . . were
principled people who were not going to bow and do everything you want, so I
think it [NBC’s programming Hot Hero
Sandwich on Saturday mornings] was punishment frankly.
Ae13U: I think Sherry Coben, Patrick
McMahon, and some of the other Hot Hero alumni may agree.
Dr. Tom Cottle: Yeah, I think they were
punished for it. They were. They [NBC] were in a difficult financial — slash —
political position, and I think they were uncomfortable. The show was so
different on the one hand, and the Harts . . . had a vision and that was that.
Ae13U: Well, we’re still talking about Hot Hero Sandwich and who knows who the
suit was . . . well, it was probably Fred Silverman.
Dr. Tom Cottle: It had to come from
Fred Silverman, but I was not party to any of those meetings. I was just an
employee.
Professional
Courtesy
Childhood memories, with Michael Learned and Pam
Dawber.
Ae13U: Did you get any feedback from your
colleagues in higher education or the psychology/counseling field about the
show?
Dr. Tom Cottle: None that I remember .
. . maybe a couple. The major thing was
when I started doing television I never again was sent a patient by any
colleague.
Ae13U: Really? Why would that be?
Dr. Tom Cottle: Because [they felt] “You
want to be famous. You want to be a movie star. You sold out. You can't be a
therapist and do that.” And I never stopped my practice. I would take days off,
but I never stopped my practice.
Ae13U: Professional jealousy?
Dr. Tom Cottle: You know, some people
say, “Oh, they were just jealous.” I
don't know that they were jealous, but it was really more of a feeling of you're
kind of persona non grata.
Now, did I pay a
big price? No, I didn't pay a big price given the big prices that people pay
for their principles. But no, very, very few people talked about it.
Non-professional people, friends, they were always interested in what was going
on, but let's put it this way . . . it was not good.
I thought the
sell out for the guys . . . and the women . . . was everybody who wanted do
therapy on television. They would want me to do therapy on television and I
would say no, it can't [be done] because it's fundamentally a show and it's [therapy]
done in privacy. But no, I did not get positive feedback though.
Ae13U: It’s ironic because as a 15-year-old
watching the show and watching celebrities I considered superheroes like
Christopher Reeve and Kareem Abdul Jabbar discuss issues I could relate to,
made the celebrities more human and the problems not quite so big. It made me
think, “If they could survive that, so could I.” That’s one of the lessons I
remember taking away from those interviews.
Dr. Tom Cottle: The great Indian
novelist Naipaul once said that, “A great novel both enlightens and evokes” The
evocation piece is dropped out of academic work . . . the academics only have
to enlighten us, not evoke, but the novel does both. We were learning about the
experience of being human.
When it's just
to evoke, that's the schmaltzy part. That's where the critics say that just
plays on sentimentality . . . and those interviews, I thought, because of these
men and women — and a lot of them were just absolutely sensational — I thought
they [the interviews] were utterly enlightening and that kids could learn
something from another person's experience. They could feel the feelings of
that person, and thereby they feel their own feelings.
Ae13U: Well, that's that was exactly the
lesson and the impression I took away from them when I watched them as a
teenager. After Hot Hero Sandwich, did you ever work with Bruce and Carole Hart in a
professional capacity again?
Dr. Tom Cottle: I consulted with them. They did other projects that
they never place for me, but I consulted with them all the time and talked to
them fairly often. I really saw them as great friends.
Ae13U: Well, I think that wraps up our
interview Tom. I want to thank you for your time. You know, I have to say, by
now I’ve had the chance to communicate with a number of the cast, crew, and
writers from the show and everyone has been so kind to me, it’s like they’re
still treating me with the same kind regard as if I was still a 15-year-old
fan.
Dr. Tom Cottle: I don’t think Bruce and
Carole Hart tolerated unkind, un-nice people. You wanted professional people.
They didn’t want to deal with rude people. I think they treat you nice because
these people were kind and nice people. That’s who they were.
__________________________________________
Concluding
Thoughts
Bullies and crushes (the romantic kind), with Michael Learned, Kareem Abdul-Jabbar,
Robert Guillaume and Pam Dawber. Also,
some short film and sketch segments.
It was
disheartening to hear to the reaction of the psychotherapy community to
Cottle’s interviews. Unlike the television personality parade today that
exploits the dysfunction of damaged people, Cottle’s interviews provided positive and empathetic responses by individuals the audience knew and admired. This
destigmatized the issues and gave the child confidence to deal with it
themselves.
Cottle is, in
fact, often not even seen on-screen, instead providing short guiding questions
off-screen and giving the celebrity room to respond. At the very least, the
opposition represents an entrenched conservative approach that did not see the
value of providing a platform to model emotionally healthy responses on sensitive
personal issues. In this way, the interviews were more guided educational discussions
rather than on-air therapeutic sessions, which Cottle would not attempt in any event. One wonders if his colleagues
even watched the show before dismissing it. Cottle’s
methodology is the very approach that should be adapted for such similar efforts.
As for his former colleagues, well, as much of a contribution they may have made to their profession, four decades later I'm not interviewing or writing about them, am I?
When the phrase, “the doctor is in,” comes to mind, we think of access and availability.
Someone we trust and rely on for advice and empathy. On all counts, when it
comes to Tom Cottle, this doctor is definitely in.
● ● ●
