Fig. 1: Kodak Brownie 8 mm Movie Camera II (author's collection). |
The venerable Kodak Brownie 8 mm Movie Camera II, produced in the 1950s and 1960s, cataloged American life. The jumpy, faded, color-saturated footage produced by the camera has become the quintessential iconic imagery of the post-World War II era.
The current home I live in
belonged to my Uncle Frank Comparetta who bought the home in 1952 and lived in
it with my Aunt Anna until 2000 when he died— followed by my aunt a few years
later. I moved into the house in 2002 and bought it in 2005, so the home has
been in our family for nearly 65 years. As with many homes of my uncle’s and
aunt's generation, it was well-kept, but hopelessly out of date. The furniture,
curtains, carpet, and kitchen all dated to the 1960s and 1970s. The bathroom
was painted a glorious mushroom green, as it had been for the past 40 years,
and accented by 1950s-era bathroom décor — such as the pink metal wastebasket
decorated with a rhinestone-studded poodle.
Fig
2: The list as I found it.
Whenever someone moves out of a
home after five decades a few things are left behind, and in Uncle Frank's case
that included an 8 mm movie reel (fig. 5). There was a folded, yellow piece of
paper inside with a short list of segments on the reel (fig.2): “At Lake
Placid,” “Fran & Joe’s home,” “Easter 1957.” By holding the film up to the
light, I could make out the first few frames as taking place in the swanky,
fully kitted-out 1950s family room at my grandparent’s house (“Fran & Joe’s
home”). Searching the Internet, I found a local business that converted film to
video. I wrote the name and number on a slip of paper and told myself I’d get
around to it someday. I put the reel away and let it sit in a drawer for 14
years.
It takes me a while to get around
to doing things. I’m not a procrastinator — I prefer to think of myself as
extremely patient. During those 14 years, I worked a variety of job in
education, freelance writing, and public relations. My mother moved in, and as her health deteriorated I took care of her much as she had taken care of my
Aunt Anna in her final years, until she died at home in my arms in 2014.
Earlier this year, I finally got
around to opening up that old can of film once again and pulled off that old
yellow slip of paper taped to the inside. As I unfolded it, the full
contents of the reel were revealed (fig. 3):
·
Grandpa’s 87th Birthday Party 4/18/58
·
Joey & Maria Wedding
Fig 3: The full list. |
·
Colonie Radio Dedication 6/30/58
·
Guy’s Confirmation
·
Grandpa & Joey Trip to Italy
·
Vacation at Lake Lauderdale, NY
·
At home
·
At Lake Placid
·
Fran & Joe’s home (Woodlawn Ave)
·
Carol, John, & Debbie Stevens. Easter 1957
The big reveal for me was “Joey
& Maria Wedding.” That was my parent’s wedding in August 1958. They
divorced in the late 1970s to much acrimony and, as is often the case in such situations, old wedding memorabilia typically goes out in the trash. Nevertheless, here
they were — young and in love; my mother, a beautiful 22 year old bride looking
forward to a future that sadly never came to be.
Fig. 4: Here's looking at you! |
The Internet is replete with
videos like this one. Kodak 8 mm film cameras were a ubiquitous part of the
post-war Baby Boom generation and millions of feet of impatient children, proud
parents, wise-ass uncles, doting aunts, and distant cousins were recorded.
Often, a soundtrack will inevitably accompany these films with era-appropriate
music, attempting to mimic the nostalgic opening of The Wonder Years, yet that is not how these films were originally
watched.
Fig. 5: The original 8 mm reel I
found. |
Thrown up against a sheet spread
on a wall, someone announcing the segments while hushed voices point out
relatives and friends, the images flickered like lost memories recovered after
a long absence — found gathering dust. They are preserved here, in silence. At
times, one image fades into another in a double exposure much as our memories
blend one into another. The actors are long dead and the meaning of the scenes
are lost to time, like an ancient mosaic missing crucial segments, so all we
have are fragments of lives.
I present the video below for
your consideration — without commentary or enhanced content — just a few frames
of an America lost, then found: