Born in 1891 in Italy, Father
Carlos Crespi Croci was a Salesian Monk that spent his career in Cuenca,
Ecuador from 1923 to 1982. At the University of Milan, he studied anthropology
before becoming a priest. His many talents included being an educator,
anthropologist, botanist, artist, explorer, cinematographer, humanitarian, as
well as a musician. The kindness and benevolence he taught his congregation was
such that they rewarded him with a number of ancient artifacts.
It is estimated that throughout
his lengthy career, Father Crespi was given and/or purchased over 50,000
ancient artifacts. The items in particular that captured the fascination of the
world were a number of plates and objects forged from gold with mysterious
symbols and hieroglyphs. The villagers told Father Crespi that many of the artifacts
were found inside a cave known as the Tayos Cave.
In the early 1970s, Erich Von
Daniken published The Gold of the Gods in
which he highlighted many of Father Crespi’s artifacts. Von Daniken made the
claim that the collection included metal books showing proof that a lost
civilization existed in ancient times that extraterrestrials helped to form.
Many people fed into the belief that these artifacts were either
extraterrestrial or were “out of place” with bizarre unknown scripts similar to
Babylonian or Sumerian writing.
With the Vatican’s permission,
Father Crespi opened a museum at the Salesian School at Cuenca. In July 1962, a
fire broke out and the museum was destroyed. Father Crespi was able to salvage
as much as possible and stored them in two long, narrow rooms. Items from
Father Crespi’s collection included tablets, plates, doors, decorations,
statues, pottery, jewelry, ancient weapons and war adornments. There were even
three gold sarcophagus-like coffins. The artifacts were made of stone, wood,
ceramic and metal. The metals were pure gold, sheet-gold, pure silver,
sheet-silver, bronze, brass, copper, zinc, tin and sheet metal.
When Father Crespi passed away in
1982 what happened next only added to the mystery. His collection was removed.
Investigators later discovered that it was purchased by the Central Bank of
Ecuador and is currently stored in their museum vaults; however, none of the
golden plates were shown to investigators, so it assumed they are lost. Others
believe that either the Vatican has them, the local Government, or another
rumor is that they were melted down and used for military funds. All that
remains is the photographic evidence. Some people believe that the collection
either never existed or was a fake.
The truth is that there is a
golden plate within Father Crespi’s collection that has been overlooked but is
undeniable proof that the origins of the plate are absolutely regional. The
plate was not created or influenced by extraterrestrials or other cultures
outside of Mesoamerica. Finally, after all of this time a connection has been
made between the Crespi Gold Collection and the Mayan hieroglyphs.
The Mayan Empire was located in what
is now Guatemala. Its greatest influence was reached in the Sixth Century A.D. The
Maya had advanced knowledge of architecture, agriculture, art, calendar-making,
math, pottery, and hieroglyphic writing. For reasons not yet fully understood, most
of the Maya deserted their cities by 900 A.D. To this day, historians argue
over the reasons for the fall of the Mayan Empire.
Why has it taken so long for this
one plate to be recognized for what it is? The main reason perhaps is because
the plate is never shown to be in the proper position. In order to be connected
back to its native language, the plate needs to be in the position as shown in
these images. Also, when the Spanish conquered Mesoamerica one of the goals was
to eliminate the history of the indigenous peoples. By taking away their
historical identity the Spanish succeeded in convincing the world that the
Mesoamerica had no education or cultural value before the Spaniard’s arrival.
In recent times however,
archaeologists and anthropologists have gained a great understanding and
respect for early Mesoamerican civilizations. We know today that many
Mesoamerican cultures that existed in modern times were very advanced and
modern researchers still struggle to decipher their architecture, artwork, and
writing systems.
Fig. 1: Transcription of Mayan Symbols from the Father Crespi Gold Collection |
Every glyph on this plate (see Fig. 1) can be
found in the key provided by Bishop Landa who was a part of later Spanish rule
in Mesoamerica. There are mild variants between a couple of the glyphs on the
gold plate and Bishop Landa’s key; however, it is widely known that the Maya
often used many designs and variations for the same syllable or word.
Is this to say that all of Father
Crespi’s artifacts were Mayan in nature? That is doubtful. The plates appear to
be a compilation of different scripts that more than likely existed throughout
the region. Perhaps the Tayos Cave served as the ancient school for scribes as
well as for the art of metallurgy.
It is possible that the
Mesoamerica people hid these valuable historical artifacts so that the
Spaniards would not be able to confiscate them. It is uncanny how much of
Bishop’s Landa’s key appears on the gold plate itself. Perhaps, there were some
Spaniards who hid some of the gold away either because they recognized the
historical value of the plates, or for greed with the intent to recover them
later but never did.
The last plausible explanation
for such an accumulation of varied historical metal artifacts is that they were
brought there by floodwaters. Central and South America are subject to monsoons
so perhaps the caves are the lowest level point in the region in which
floodwaters deposit various materials. Gold, being a heavy metal, will sink to
the lowest level the first chance it gets. Copper and silver are also heavy
metals.
We will never know how they got there or where they went
after Father Crespi passed away, but now, at least, there is a solid connection
to the Mayan culture.
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