Saturday, August 23, 2025

Vertex Magazine: Psychedelic 70s Sci-Fi Imagery

by G. Jack Urso
 
Vertex Vol.1, No. 2, June 1973.
Vertex, “The Magazine of Science Fiction,” published between 1973 and 1975, by Mankind Publishing, Los Angeles, Calif., is noted in SFE The Encyclopedia of Science Fiction as one of the first glossy or “slick” Sci-Fi publications. Its content featured Science Fiction short stories and science-related news. Guided by Art Director Andrew Furr and his Associate Art Directors Monte Rogers and Bill Wright, the magazine was known for its creative, surreal, and at times psychedelic imagery.

Contents for Vertex Vol.1, No. 2, June 1973.

For two years, between April 1973 and 1975, it was published bi-monthly in a glossy, letter-size, saddle-stapled format for $1.50 ($10.91 in 2025). Between June and August 1975, it was published monthly but with newsprint paper in tabloid style, and a drop in price down to a dollar. The change was due in part to a paper shortage, but the magazine also faced issues in terms of costs and advertising revenue. Attracting work from such authors as Forrest J. Ackerman, Alan Brennert, William Carlson, Harlan Ellison, George R. R. Martin, Steven Utley, John Varley, and with over a dozen feature stories in each issue, publication costs must have been significant. 

Vertex Vol. 3, No 2, June 1975, after it switched to newsprint.
Additionally, the amount of advertising seems a bit lacking, at least in this second issue. Of the 100 pages, including both front and back covers, there are only seven advertisements, all full page, all for books or magazines, including one for Vertex itself, and one for J&B Scotch. There are no half-page or smaller advertisements, none for audio or electronics, which would appeal to the target demographic — not even a Columbia House Record Club offer! This is not too unusual, since at the time Analog, one of the premier Sci-Fi publications, also had a similar ad-to-feature ratio, but it used much cheaper newsprint, not glossy paper, and, as a digest, it was half the size of Vertex; however, to its advantage, it had a longer and stronger literary reputation and a lower cost of only 75 cents in 1975. It is still being published today.

Another consideration is that Vertex did not have a broad color palette. The imagery was black and white except for a couple monochromatic layouts, orange or green for this issue. So, Vertex had some challenges from the beginning that probably sealed its fate. Omni would pick up the torch in 1978 as the premiere glossy Sci-Fi publication with a much better ad-to-feature ratio and a full-color, more polished look thanks to publisher Bob Guiccione’s experience with Penthouse, with which Omni shared a similar look — at least in terms of design, if not in content.

Main-in subscription card for Vertex.
Yet, it is art of Vertex which continues to stand out and worth noting. Exemplative of early-mid 1970s publication imagery geared for the Counterculture, the art has a dreamlike, fantasy quality to it. It is less explanatory, as far as promoting a deeper understanding of the story, and more suggestive or even just for aesthetics, breaking up long blocks of text and providing a space for the reader to contemplate the stories ideas.

Below is a selection of images from Vertex Vol.1, No. 2, June 1973.

In an overcrowded world, having children is a threat to both the world and to the parents. Art by Monte Rogers for “Three Tinks on the House,” by F. M. Busby.

 
The art in Vertex could be erotic and viscerally physical, as in this artwork by Monte Rogers for the short story “Three Tinks on the House,” by F. M. Busby.

Reflecting the sensory experiences of LSD, a man sees sounds, hears colors, and becomes a guru. Art by Kevin Davidson for the short story “All the Sounds of the Rainbow,” by Norman Spinrad.
Art by Kevin Davidson for “All the Sounds of the Rainbow,” by Norman Spinrad.

Expanding one's consciousness. Art by Kevin Davidson for “All the Sounds of the Rainbow,” by Norman Spinrad.

Art by Kevin Davidson for “All the Sounds of the Rainbow,” by Norman Spinrad.

The Commander of U-999 waits to fight again long after the war has ended. Art by Alicia Austin for a short story by Edward Wellen.

Science fact article on the size of the universe. 

Art by Alicia Austin for Crash Cameron and the Slime Beast by Steven Utley.

Art by Monte Rogers for “The Alibi Machine” by Larry Niven. 

Art by Monte Rogers for “The Alibi Machine” by Larry Niven. 

A very short story by Forrest J. Ackerman.

For potential alien visitors, Earth gets a big F. Things have only gotten worse.

Art by Monte Rogers for The Jewel by D. William Paul.

Art by Monte Rogers for The Jewel by D. William Paul.

A drawing showing the complexity of planetary orbits.

Cat or Kzinti? Only Larry Niven and artist Tim Kirk know for sure!

From a feature on Skylab, Vertex covered Science Fact as well as Science Fiction.
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Saturday, July 26, 2025

Groovy 70s Animated Music Videos

by G. Jack Urso
 

Baby Boomers and Gen Xers grew up in the on a steady diet of Hanna Barbara, Filmation, and Warner Brothers cartoons. While funny and entertaining, there was a factory, assembly-line, sameness to the animation. Bucking this trend in the 1970s, counter-cultural artistic sensibilities challenged the monolithic control of the big animation houses and here we have several good examples of that.

The first animated short we'll take a look at is the music video for Jim Croce’s “Bad, Bad, Leroy Brown,” which made its debut on The Sonny and Cher Show in 1973. Originally dubbed with Sonny's and Cher's vocals, they have been replaced in this version by Jim Croce's, though they still make an appearance in the short. It was written and directed by John Wilson who would go on to work on Attack of the Killer Tomatoes!, MTV’s Liquid Television (“The Specialists”), and The New Adventures of Madeline.

I remember watching it when first broadcast over fifty years ago. While looking at cartoons from our youth is supposed to make us feel young again, in this case, maybe not so much! 


The next one is the short for Cheech and Chong’s “Basketball Jones” (1974). Interestingly, this was directed by Paul Gruwell, who also directed Heavy Metal (1981), a music video clip of which I previously posted at Don Felder: Heavy Metal (Takin' a Ride). “Basketball Jones” also features the talents of George Harrison, Carole King, Billy Preston, Ronnie Spector, Michelle Phillips, and a special appearance by Sister Mary Elephant. For fans of Classic Rock, and Cheech and Chong, there's a lot to enjoy!


Another music video that struck a chord with me is from a 1979 episode of Hot Hero Sandwich by animator Al Jarnow, who animated dozens of Sesame Street shorts, for Martha Reeves and the Vandellas’ cover of Van Morrison’s “Wild Night” on my other YouTube channel, Hot Hero Sandwich Central.

One of the programs that turned me onto other animation styles was PBS’ International Animation Festival (1975-1976)which introduced shorts from around the world, and more sophisticated humor. Monty Python, which began syndication in the United States in 1975, also contributed to my animated education with the art of Terry Gilliam, as in the short, The Miracle of Flight (from 1974, see below). Although not shown on Monty Python itself, it aired on the International Animation Festival, and, while not a music video, this short is a great example of Gilliam's work and the comedy troupe's unique look at how the world worked — or didn’t.


Animation on other 70s TV shows like Sesame Street, The Electric Company, and even Schoolhouse Rock!, helped move children beyond the typical Saturday morning fare to more diverse visuals that challenged our growing minds beyond the conflict-driven slapstick humor that then dominated the cartoon universe.

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Monday, June 30, 2025

Novak Bowling Supplies, Avenue A

by G. Jack Urso
 
Fig. 1. Avenue A, Albany, NY.
Avenue A, in the Albany Pine Hills neighborhood where I grew up in the 60s and 70s, isn’t much of an avenue. It’s actually the parking lot behind a line of stores on New Scotland Avenue. Only a block from where I grew up on Norwood Avenue, and just a few houses up from where my grandparents lived on Ontario St., Avenue A was a convenient shortcut to stores on New Scotland. At the back of the parking lot there was a small, lone, abandoned white L-shaped building with a sign jutting off its roof announcing, “NOVAK BOWLING SUPPLIES.”

Fig 2. My neighborhood while growing up in Albany, NY. My family home indicated at 42 Norwood Ave. (on left), my grandparent's house (red circle in the middle), and Novak Bowling Supplies on the far left (red square).
I suppose most kids are drawn to abandoned buildings out of curiosity and the search for newer playgrounds. Looking inside the windows of the main building with the sign, I could see a long glass counter with some odds and ends scattered about and a few signs on the walls alongside empty shelves. The other part of the L-shaped building had some equipment, including what I later identified as a bowling ball drill press. I never attempted to break in, though it would have been easy. The back part of the parking lot was not lighted and being the mid-70s there were certainly no cameras.

Fig. 3. The location of Novak Bowling Supplies on Avenue A. Although replaced by this maintenance shed, the dimensions are similar with the door in the same place. A long rectangular window occupied space to the right of the door.  A connected structure about the same size was attached on the left at a 90-degree angle.

I lived on Norwood until 1978 and in the general neighborhood until 1984 when I went to college. When I left, I recall the building was still standing and still abandoned. In January 1990, about a year and a half after I graduated college, I moved back to Albany and into an apartment building on Grove Avenue, just behind the Novak Bowling Supplies building on Avenue A. By that time, the sign had fallen, the roof caved in, and whatever else left pilfered or disintegrating in the exposure to the elements. It remained that way until I moved in 1995. At some point after that, what remained was pulled down, at least by the early 2000s when I went to a restaurant on New Scotland, parked in the lot, and noticed it was gone.

Fig. 4. A wider shot of the location of 1 Avenue A. In the mid-1970s, the dumpsters were not located there and the area not overgrown.
In time, I forgot the name of the business and filed the memory among the many fleeting, stray images from my youth.


Fig. 5. Novak Bowling Supplies advertisements, 1960 (left) and Fig. 6, 1961 (right).

A couple months ago, while scrolling through a series of old advertisements on the Albany Group Archive Photostream on Flickr, I came across advertisements (fig. 5 and fig. 6) for Novak Bowling Supplies on Avenue A! A flood of memories hit me as I recalled the name and the building. That moment when a long-buried and nearly forgotten memories boil to the surface generated a rush of endorphins and I decided that I had to find out more about this story. I doubted I would find anything more than the one lone advertisement I ran across purely by accident, but having done this sort of needle-in-the-haystack research before I had a few tricks I could try to pull out whatever information that might still exist.

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The Remains of the Day

While nothing remains of the original two small shacks that comprised Novak Building Supplies, there are some remaining relics indicating in existence of the previous buildings. In these photos we can see the area immediately to the left of the gray maintenance shed that now sits on the site of 1 Avenue A. The left wall of the current building can be seen on the right of fig. 7.  Outlined in red in the images below we can see the remains of concrete blocks supporting a floor or a wall, utility pipes, and a concrete wall footing.

Fig. 7. Outlined in red, on top, remains of concrete blocks, possibly
footings for the floor or back wall. Below right, cut-off utility pipes.

Fig. 8. Outlined in red, on right, remains of the concrete footings.
On left, another cut-off utility pipe.

Fig. 9. Outlined in red in the same area, a concrete footing for a supporting wall post.
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The Era of Big Balls

The advertisement in the Albany Group Archives list hours for Novak Bowling Supplies in 1960 of 8 AM to 8 PM, Monday through Friday, and 10 AM to 2 PM on Saturdays. That is a pretty long work week for a parking lot bowling supply company. Honestly, who needs a bowling ball at 8 AM? Yet, the hours reflect the immense popularity of bowling in Mid-Twentieth Century America. While still a popular recreational activity, it has lost the large percentage of the population it once held. By the 1960s, at least seven bowling alleys operated in Albany, not including the ones in the surrounding towns (see fig. 11).

Fig. 10. The Playdium, shortly before its demise in 2018 (Friends of Albany History).
Novak Bowling Supplies had a prime spot three blocks away from the glorious Playdium Bowling Centre with its lighted glass-brick facade. Built in 1940 and featuring a restaurant, pro shop, and 28 alleys, the Playdium was a popular draw and I recall that on league nights, Fridays, and Saturdays, the place was always packed.

According to the Friends of Albany History in an article about the closing of the Playdium in 2018, “By 1965 there were 750 bowling leagues in Albany” (“The Father of Albany Bowling, the Pine Hills Playdium; an American Dream,” Jan. 6, 2018). A friend, whose father was a competitive semi-pro bowler, remembered Novak Bowling Supplies as a store her father frequented. With 750 bowling leagues in the city, Novak Bowling Supplies probably had good reason for such long hours in the 1960s. By the 1970s, however, as recounted in the same Friends of Albany History article, the popularity of bowling dropped precipitously leading to the closure of most of the city bowling alleys by the late 1980s/early 1990s. Today, while there are a few alleys in nearby towns, none remain within city limits itself.

Fig. 11. In the 1960s, Albany boasted no less than seven bowling alleys,
not including those in nearby towns (Albany Group Archive).
By about 1975, when at nine I was old enough to begin roaming the neighborhood on my own, I discovered Novak Bowling Supplies. I thought it was long abandoned, but, as I would discover 50 years later, only recently so, and that takes us to the next chapter in our story.

The Two Novaks

The row of shops along New Scotland Avenue that fronted the Avenue A parking lot were probably constructed in around World War I. There was no listing for Novak Bowling Supplies in the Albany City Directory until 1955. In the 1950 directory three addresses are listed for Avenue A: 0, 1, and 7. By 1955, however, only 1 Avenue A remains. With no phone directory available earlier than 1950, what these other businesses could have been is unknown. The last year Novak Bowling Supplies appeared in the directory was 1975. See fig. 12-17 below.

Fig. 12. 1950 business listing.

Fig. 13. 1955 business listing. It's first year in business.

Fig. 14. 1960 business listing.

Fig. 15. 1968 business listing.

Fig. 16. 1975 business listing. It's last year in business.

Fig. 17. 1976 business listing.
I knew from previous research that residential listings often contained the name of the business of the homeowner. Sure enough, a Larry Novak was listed in the Albany City Directory as the owner of Novak Bowling Supplies (see fig. 18 and 19). Larry F. Novak is noted as the owner of Novak Bowling Supplies throughout the twenty years of its listing in the Albany City Directory. Further, it identified Novak as living in Valatie, NY, about a 20 minute or so drive from Albany. This is consistent throughout the 1955 to 1975 directory listings. 

Fig. 18. 1955 Albany City Directory residential listing showing Larry Novak as owner of
Novak Bowling Supplies.

Fig. 19. 1975 Albany City Directory residential listing confirming Larry Novak’s
middle initial is F.
Interestingly, 1950 census records (fig. 20) on Ancestery.com, reveal a Lawrence F. Novak, age 27, born “about 1923;” however, depending on the month, he could have been born in late 1922 as well (this will be important later on). His occupation is listed as “Repair??? Bowling???” (question marks are original to the text) and employed in a bowling supply company. Depending on the month of his birth, it could also be late 1922. Additionally, he seems to be living at home with his parents and sister. Kinderhook is only 2.5 miles from Valatie, so it is not much of a stretch to conjecture that Larry moved out on his own to Valatie when he was able.

Fig. 20. A page from the 1950 U.S. Census of Kinderhook, NY. The listing for Lawrence F. Novak and his parents and sister is highlighted in green halfway down the page.
Then, a moment of kismet occurred. I discovered two press photos (fig. 21 & 23) from Historical Images and an associated article from The Herald Statesman Yonkers, NY, dated Aug. 30, 1993, featuring a Lawrence F. Novak, president of the Valatie Savings Loan Association, touted as New Yorks smallest bank at the time. The Herald Statesman article notes Novak became president of the savings and loan in 1967. Historical banking company records  available online show the Valatie Savings and Loan closed in 1995 when it merged with the Hudson River Bank & Trust Company.

Fig. 21. Lawrence F. Novak, President of Valatie Savings & Loan, outside the bank, 1991
(The Herald Statesman).
Fig. 22. The former Valatie Savings & Loan building, Oct. 2018 (Google Maps).
Could this be the same Lawrence F. Novak of Novak Bowling Supplies? I could not go by the name alone since many extended families give their children common names. My own family is filled with Joesphs, Anthonys, and Frances. Indeed, while my name is G. Jack Urso, a Jack G. Urso lived in nearby Coxsackie, NY. Telling us apart would be easy since Jack G. Urso's birthdate is 30 years before mine; however, several clues suggest these two Lawrence F. Novaks are the same person. 

First, the article reports Novak's age as 71 in 1993, putting his year of birth at 1922. The Lawrence F. Novak employed in the bowling repair and supply business was reported in the 1950 census as being age 27 and born about 1923,” which, as noted above, could have been 1922 depending on the month he was born. If these are the same person, one wonders how Novak balanced the responsibilities of his bank presidency and his bowling supply company. The saving and loan, however, was reported to be open only four hours a day, so it is possible Novak ran the shop on reduced hours due to the drop in popularity of the sport, and/or hired someone to run it for him.

Fig. 23. Lawrence F. Novak, inside the Valatie Savings & Loan with employees, 1991
(The Herald Statesman).
Secondly, in addition to Larry F. Novak, the 1968 directory also lists a Lawrence, no middle initial, and the 1974 directory lists a student named Larry Novak married to a Shirley, but both these entries last only a year or two then disappear. I could dismiss the latter, but not the former without more information. The shared approximate year of birth, the shared middle initial, and the transient nature of the other two Larry Novaks, strongly suggested that these two Lawrence F. Novaks were the same, but I couldn't conclusively determine the Lawrence F. Novak of the Valatie Savings Loan Association is the same Lawrence F. Novak of Novak Bowling Supplies. 

Unsatisfied, I continued to dig until I discovered the following press photo dated 1961 (see fig. 24) which resolved the mystery.

Fig. 24. Larry Novak, right, Albany distributor of Ebonite Bowling Balls, with E.A. Horrigan, Ebonite National Sales Manager, second from right, presents Mr. and Mrs. George C. Dixon of Chatham with a honeymoon vacation package.

Fig. 25. Back of the photo in Fig. 23.

Fig. 26. Close up of the news clipping on the back of the photo in fig. 23.
Comparing the photo of Larry F. Novak of Novak Bowling Supplies  (fig. 24) in 1961 with the photo of Lawrence F. Novak of Valatie Savings and Loan in 1993 (fig. 21 and fig. 23) and, despite the 32-year difference, it is clear they are indeed one and the same person. This is as obscure a topic as anyone could come up with so that I was able to find any photographs of Larry Novak, and especially those related to both of his professions, is a testament to the research value of the internet.

The Herald Statesman article gives us some insight Novak’s character. He boosts about the bank having only one computer, and that only because bank regulations required him to have one for certain kinds of documentation. It is endearingly quaint but suggests someone resistant to change. Whatever he was doing, however, must have worked since he remained president of Valatie Savings and Loan for at least 24 years. Novak passed away in 1997, two years following the bank's merger in 1995.

Concluding Thoughts

Memories are a tricky thing. All these years, I had romanticized Novak Bowling Supplies as being long abandoned when I first discovered it about 1975, which actually was the same year it went out business. Larry Novak must have made a good chunk of change during the Golden Age of Bowling in post-war America, enough to warrant a presidency at the local savings and loan. By 1975, the old shack that comprised Novak Bowling Supplies couldn’t compete with other bowling and sporting equipment supply businesses which featured practice lanes, customized shirts, and shoes.

There’s a saying that goes something along of the lines of if you want the real story, speak to the people who aren’t talking.  I like to think it was an old journalism professor, but it was probably just as likely on the old TV show, Lou Grant. Not everyone’s story might change the world, but everyone has a story about their world and that story helps to define the world they lived in. From the Golden Age of Bowling to an old-time, small town, one computer, savings and loan, Larry Novak’s life is a peak into a time now long gone . . . just like the old shack that once housed Novak Bowling Supplies.

Or, indeed, even Larry himself.

Fig. 26. Lawrence F. Novak, 1922 – 1997, Saint John the Baptist Cemetery, Valatie, Columbia County, NY (findagrave.com).
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